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Collected and released when
Head was on the verge of a new level of appreciation via
Shack,
Longshot for Your Love -- compiling radio sessions, unreleased tracks, and various other obscurities -- made for an appreciative peek back at his early-'80s days with the Pale Fountains. The opening liner notes in the booklet from
Yasuharu Konishi of
Pizzicato Five are perfectly appropriate. There's a clear sense throughout this enjoyable disc how
Head's first outfit provided a bridge between swinging '60s pop and the efforts of a later generation, not merely with
Pizzicato Five but
Belle & Sebastian or any number of
Burt Bacharach-loving acts of the '90s.
Head's singing has a rich but clear resonance, calling to mind the exquisite team of
Robert Forster and
Grant McLennan, while his band's preference for non-feedback-producing guitars ("Love Situation" the notable exception!) and inventive percussion and string arrangements works wonderfully. About the only band remotely like it in the U.K. would have been the earliest incarnation of
Pulp, but the Pale Fountains have a sunnier, fuller feeling to their songs, helped in large part by the inspired inclusion of trumpeter
Diagram. Those who know him best from his work with
James or
Spaceheads will enjoy his delicate leads and gentle backing on songs like both takes of "Just a Girl" and a peppy cover of the James Bond movie theme "We Have All the Time in the World." The two BBC sessions presented -- the first a four-song
John Peel effort, the second a three-song turn on
The Old Grey Whistle Test -- are the heart of the album, and deservedly so, including wonderful takes on the title track, "Benoit's Christmas," and a cover of
Deniece Williams' "Free." Detailed essays on the group and a slew of often amusing photographs fill out this excellent CD.
AMG Review by Ned Raggett
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