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This double album finds Death in June covering similar ground to the earlier LP
Nada! from a year earlier. Jackboot rhythms, acoustic guitar strums, electronic effects, and
Douglas Pearce's low, droning vocals and gloomy choruses conspire to paint a vision slightly more depressing than
Joy Division. While "Come Before Christ and Murder Love" could almost be a pop song on heavy downers, other pieces offer more experimentalism.
David Tibet adds backup vocals on most of the songs on the first record, his raspy voice offering an interesting contrast to
Pearce's smoother lead, and at times
Tibet is either whispering or screaming in the background. "Break the Black Ice" with the echoed voices and creepy little piano runs over a bed of acoustic guitar textures is frightening. This piece and several others have horn fanfares, elsewhere gongs and a tinkly music box can be heard. The second disc has three instrumental versions of tracks from the first record on one side, while the flip side is taken up by "Death of a Man," a long collage piece with mechanical rhythms, found-sound voices in many different languages, what sounds like monkeys shrieking, and other effects. The record may not be quite as strong as the earlier
Nada!, especially with the filler on the second LP, but still finds Death in June moving forward.
AMG Review by Rolf Semprebon
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