Brian Auger's Oblivion Express - Brian Auger's Oblivion Express (Great Jazz-Rock Fusion 1970 - debut album)

The first outing by Brian Auger's jazz-rock ensemble the Oblivion Express, first issued in 1971, is one of the great masterpieces of jazz-rock fusion. Auger, having just disbanded his longtime band the Trinity in 1970, still had plenty of rock and roll in his system. His yearning for the open frontiers of electric jazz was certainly the driving force -- in the same way that it was for Miles Davis on A Tribute to Jack Johnson, and Lifetime was for Tony Williams -- but it was anchored in the visceral application of rock. With guitarist Jim Mullen, bassist Barry Dean, and drummer Robbie McIntosh, Auger charted into the unknown. This album fits like a glove, each tune moving ever forward into the next. From the opening knotty, rhythmic twists in "Dragon Song," to the subterranean counterpoint in "Total Eclipse," to the band's theme song that closes the album with its pumping bass and guitar interludes, and Auger's Lemmy Kilmister-like vocals, Oblivion Express is a classic in its genre. There is a rawness in passion and intent here that is balanced by wondrously imaginative arrangements for rock band instrumentation, and an aesthetic that is disciplined and visionary.

AMG Review by Thom Jurek

Brian Auger's Oblivion Express - A Better Land (Great Art-Rock 1971)

Whereas Brian Auger had taken the lion's share of composing responsibility on the deft, labyrinthine, jazz-rock debut album by the Oblivion Express, guitarist Jim Mullen steps up to the plate in a big way here, writing or co-writing seven of A Better Land's nine tracks, and arranging "Marai's Wedding," a traditional tune. Auger wrote just one, "Tomorrow City," and co-wrote two with Mullen. The feel and vibe of the record is almost a mirror image of its predecessor from earlier in 1971. Mullen composed on the guitar, therefore, the languid, sparer approach to harmony is everywhere apparent. But it's the songs themselves, with their lush use of acoustic guitars, country music melodies, and early rock tropes, such as on "Dawn of Another Day," the Band-inspired "Trouble," and the ethereal melody of "Women of the Seasons." There is also a pair of tracks here written with future AWB boss Alan Gorrie. The lilting jazz in the lead is countered with infectious pop hooks. On the Auger tunes, "Fill Your Head With Laughter," and "Tomorrow City," R&B is at their hearts. A Better Land is one of the more enduring pop records from the era, with its ultra-sophisticated compositioning and arrangement skills. It's as if the Oblivion Express wanted to reveal themselves as capable of anything, which, of course, they were. This is a fantastic place to start any Brian Auger collection.

AMG Review by Thom Jurek