Jethro Tull - Benefit (Very Good 1970 Art Rock)

Benefit was the album on which the Jethro Tull sound solidified around folk music, abandoning blues entirely. Beginning with the opening number, "With You There to Help Me," Anderson adopts his now-familiar, slightly mournful folksinger/sage persona, with a rather sardonic outlook on life and the world; his acoustic guitar carries the melody, joined by Martin Barre's electric instrument for the crescendos. This would be the model for much of the material on Aqualung and especially Thick as a Brick, although the acoustic/electric pairing would be executed more effectively on those albums. Here the acoustic and electric instruments are merged somewhat better than they were on Stand Up (on which it sometimes seemed like Barre's solos were being played in a wholly different venue), and as needed, the electric guitars carry the melodies better than on previous albums. Most of the songs on Benefit display pleasant, delectably folk-like melodies attached to downbeat, slightly gloomy, but dazzlingly complex lyrics, with Barre's guitar adding enough wattage to keep the hard rock listeners very interested. "To Cry You a Song," "Son," and "For Michael Collins, Jeffrey and Me" all defined Tull's future sound: Barre's amp cranked up to ten (especially on "Son"), coming in above Anderson's acoustic strumming, a few unexpected changes in tempo, and Anderson spouting lyrics filled with dense, seemingly profound imagery and statements. As on Stand Up, the group was still officially a quartet, with future member John Evan (whose John Evan Band had become the nucleus of Jethro Tull two years before) appearing as a guest on keyboards; his classical training proved essential to the expanding of the group's sound on the three albums to come. Benefit was reissued in a remastered edition with bonus tracks at the end of 2001, which greatly improved the clarity of the playing and the richness of the sound; the four additional tracks are "Singing All Day," "Witch's Promise," the elegant, gossamer-textured "Just Trying to Be," and the original UK mix of "Teacher." Written and recorded prior to Benefit, they're all lighter in mood than the material from the original album, adding some greater variety but fitting in perfectly on a stylistic level.

AMG Review by Bruce Eder

Jethro Tull - Bursting Out (Live 1978)

Released just as punk was taking hold on the public's imagination in America and making groups like Jethro Tull seem like dinosaurs on their way to extinction, Bursting Out became a seemingly perpetual denizen of the cutout bins for years afterward. However, it happened to be a good album, a more-than-decent capturing of a live Tull concert from Europe. The sound is remarkably good, given the group's arena rock status at the time, and the repertoire is a solid representation of the group's history, going all the way back to "A New Day Yesterday" from their second album and up through 1977's Songs from the Wood, with stops along the way for "Bouree," "Aqualung," "Locomotive Breath," "Cross-Eyed Mary," and a compact reprise of Thick as a Brick. Some of these tracks work better than others -- the tendency here is to play loud and hard, and sometimes that just doesn't translate well on record; seeing "Locomotive Breath" probably worked better than hearing it.

TRACK LISTING:1)Ιntroduction,2)No Lullaby,3)Sweet Dream,4)Skating Away on the Thin Ice of the New Day,5)Jack in the Green,6)One Brown Mouse,7)A New Day Yesterday,8) Flute Improvisation / God Rest Ye Merry Gentlemen / Bourée,9) Songs from the Wood,10) Thick as Brick,11) Ιntroduction ,12)Hunting Girl,13) Too Old To Rock n’ Roll too Young to Die,14)Conundrum,15)Minstrel in the Gallery,16)Cross-Eyed Marry,17)Quatrain,18) Αqualung,19) Locomotive Breath,20)Τhe Dambusters March

AMG Review by Bruce Eder