Εμφάνιση αναρτήσεων με ετικέτα Nick Cave. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Nick Cave. Εμφάνιση όλων των αναρτήσεων

Πέμπτη 15 Απριλίου 2010

Nick Cave - Your Funeral...My Trial (1986 Post-Punk)

Reduced to a quartet for the most part, with Barry Adamson joining Nick Cave, Blixa Bargeld, Mick Harvey and Thomas Wydler on only a couple of tracks, the Bad Seeds turn from the interpretive triumph of Kicking Against the Pricks to another strong high, the mostly-original Your Funeral...My Trial. The one cover is a sharp, unsurprisingly dramatic version of Tim Rose's "Long Time Man." As for the rest of the album, Trial shows the Seeds working as, again, a remarkably accomplished and varied act, ever available and ready to explore a wide range of musics distilled into Cave's often dark, always passionate vision. Arguably Cave and company have by now so clearly established their overall style that Your Funeral...My Trial is much more a refinement of the past than anything else, but so good is their work that resistance is near impossible. If anything, the brooding power of the Seeds is more restrained than ever, suggesting destructive endings and overwhelming love without directly playing it. Songs like "Jacks Shadow" and the gentler but still melancholy moods of "Sad Waters," detailing a riverside scene between a couple, are simply grand. The opening title track sets the mood well, Cave handling not merely vocals but Hammond organ, adding a strangely sweet air to the late-night atmosphere of the piece. "The Carny" is a definite highlight, the cracked music-box/carnival accompaniment courtesy of Harvey utterly appropriate for Cave's tale of a circus gone horribly wrong in ways Edward Gorey would appreciate. "Hard On for Love," as the title pretty clearly gives away, is at once sensual and blunt right down to the lyrics, Biblical references and all, as the feverish music rises in a tide of emotion.

AMG Review by Ned Raggett

Nick Cave - The Good Son (1990 Alternative)

Losing Wolf, aside from the final reprise of "Lucy," but otherwise making no changes in the line-up, the Seeds followed up Tender Prey with the equally brilliant but generally calmer Good Son. At the time of its release there were more than a few comments that Cave had somehow softened or sold out, given how he was more intent on exploring his dark, cabaret pop stylings than his thrashy, explosive side. This not only ignored the constant examples of such quieter material all the way back to From Her to Eternity, but Cave's own constant threads of lyrical darkness, whether in terms of romance or something all the more distressing. This said, the softly crooning group vocals and sweet strings on the opening "Foi Na Cruz" certainly would catch some off guard. The title track itself captured the overall mood of the album, a retelling of the Bible's prodigal son story from the other son, the one who stayed at home and did what he was meant to do. The elegant, reflective "Lucy" and the staccato then sweeping "Lament" are two further high points, but the flat-out winners come dead center. "The Weeping Song," a magnificent duet between Cave and Bargeld, starts out sounding a bit like Gene Pitney's "Something's Gotta Hold of My Heart," which the Seeds covered on Pricks, before shading into its own powerful, blasted drama. "The Ship Song," meanwhile, equals if not overtakes the Scott Walker ballads Cave so clearly is inspired by, a soaring, tearjerking declaration of intense love that's simply amazing.

AMG Review by Ned Raggett