UFO - No Heavy Petting (1976 Great Hard-Rock)

Following the breakout success of Phenomenon and Force It, UFO had finally ascended to the first division of British hard rock. And after hiring a second guitarist and keyboard player in Danny Peyronnel, Schenker and Mogg led the group back into the studio to record their fifth album, No Heavy Petting. A noticeably cautious effort, Petting stuck so close to the rules laid down by Force It that all the excitement of the band's performance wound up slipping through the cracks. Gutsy opener "Natural Thing" was competent enough to become a concert regular, but lukewarm material like "Can You Roll Her" and "Reasons Love" simply added nothing new. And bass player Pete Way didn't help things any with his only contribution, the plodding, amazingly dull "On with the Action." Even the album's best moment, the beautifully executed "I'm a Loser" (which unleashes Schenker for one of his most jaw-dropping solos ever), mimics Force It's "Out in the Street" before closing with a piano pattern straight out of progressive rockers Kansas' "No One Together." The overly dramatic "Belladonna" (complete with synthesizer-simulated harpsichord), on the other hand, is mostly a casualty of time; the kind of ballad that was effective enough in its time, but simply hasn't aged well. Thankfully, UFO would rebound in spades the following year, delivering their best all-around studio effort, Lights Out

AMG Review by Eduardo Rivadavia

UFO - Lights Out (Superb British Hard-Rock 1977)

Michael Schenker and Phil Mogg really started to find their groove as a songwriting team with their second album together (and fourth UFO release overall), Force It. In fact, the last remaining folk and space rock tendencies that had stolen much of Phenomenon's thunder are summarily abandoned here, as the group launches itself wholeheartedly toward the hard rock direction that would make them stars. The first step is taken by Schenker, of course, who confidently establishes the aggressive, biting guitar tone that would define all the releases of the band's glory years. "Let It Roll" and "Shoot Shoot" kick off the album in rousing fashion, and while holding them under a microscope might reveal them as rather disposable slabs of hard rock, they would remain concert favorites for the band nonetheless. The punchy single "Love Lost Love" sounds tailor-made for the American market and acoustic ballad "High Flyer" is quite good, despite taking a dip in energy. But things only really start to gell on the album's second half. Schenker and Mogg wheel out their most mature composition yet with the piano-led "Out in the Street," whose softer sections truly highlight Mogg's highly disciplined, understated vocal style and make the guitar player's more restrained soloing all the more memorable. Schenker is soon back in charge, however, on the stuttering riffs and blistering fretboard work of "Mother Mary" and the downright vicious stop-start strut of "This Kids" -- both UFO anthems. One of the band's best albums, Force It will not disappoint lovers of '70s English hard rock.

AMG Review by Eduardo Rivadavia

UFO - Force It (Excellent Hard Rock 1975)

Michael Schenker and Phil Mogg really started to find their groove as a songwriting team with their second album together (and fourth UFO release overall), Force It. In fact, the last remaining folk and space rock tendencies that had stolen much of Phenomenon's thunder are summarily abandoned here, as the group launches itself wholeheartedly toward the hard rock direction that would make them stars. The first step is taken by Schenker, of course, who confidently establishes the aggressive, biting guitar tone that would define all the releases of the band's glory years. "Let It Roll" and "Shoot Shoot" kick off the album in rousing fashion, and while holding them under a microscope might reveal them as rather disposable slabs of hard rock, they would remain concert favorites for the band nonetheless. The punchy single "Love Lost Love" sounds tailor-made for the American market and acoustic ballad "High Flyer" is quite good, despite taking a dip in energy. But things only really start to gell on the album's second half. Schenker and Mogg wheel out their most mature composition yet with the piano-led "Out in the Street," whose softer sections truly highlight Mogg's highly disciplined, understated vocal style and make the guitar player's more restrained soloing all the more memorable. Schenker is soon back in charge, however, on the stuttering riffs and blistering fretboard work of "Mother Mary" and the downright vicious stop-start strut of "This Kids" -- both UFO anthems. One of the band's best albums, Force It will not disappoint lovers of '70s English hard rock.

AMG Review by Eduardo Rivadavia